Evolution Of A Dream
A self-portrait sequence taken in the HotShotz Photography Studio in Callan; four-point wireless lighting, shot on a 50mm using Auto-Focus, D80 on delayed-timer triggered using remote control.
You can check out an alternate sequence here and you can read more about the shoot here on my blog.
Vultures Eps 5: Matt McLoughlin and Cynthia
A character portrait sequence taken during the shoot for Vultures episode 5; V.P.I lawyer Matt McLoughlin (Peter McGann) and scarlet lady Cynthia (Mairead Kiernan), shot on the stage in Cleere’s Theatre using two multi-coloured stage lights.
You can see all my shots from behind the scenes on Vultures here and you can read more about shooting this scene here on my blog.
Vultures Eps5: Meet Quint Quigley
A character portrait of fugitive-stoner Quint Quigley (Kevin Mooney), taken on Shoot Day 31 of a ten week shoot for Vultures episode 5, 6 & 7.
You can see all my shots from behind the scenes on Vultures here and you can read more about the shoot here on the my blog.
Vultures Episode 5: Inspector Leeson and Jane Tennyson
Behind the display of the Canon XA H1; Inspector Leeson (Paul Young) and Jane Tennyson (Annette O’Shea) in Vultures episode 5.
You can see all my shots from behind the scenes on Vultures here and you can read more about shooting this scene here on the my blog.
Vultures Episode 5: The Bathroom Scene
Behind the scenes of Vultures episode 5; the Canon XA H1 framed up for the bathroom scene featuring Dan McGrain (David Thompson), Niall Tennyson (Séan Hackett), Quint Quigley (Kevin Mooney) and Jim Vultour (John Morton).
You can see all my shots from behind the scenes on Vultures here and you can read more about shooting the bathroom scene here on the my blog.
Vultures Episode 5: The Car Scene Shoot
Behind the scenes of the car shoot for Vultures Episode 5; Alan Slattery sets up for the car interior shot, a self portrait through the passenger mirror and Quint Quigley (Kevin Mooney), Jim Vultour (John Morton), Niall Tennyson (Séan Hackett) and Dan McGrain (David Thompson) seen through the display of the Canon XA-H1.
You can see all my behind the scenes shots from Vultures here and you can read more about the car scene shoot here on the Oss237.com Blog.
Vultures Episode 5: The Chase Sequence
My first attempt at a proper image sequence and design; comprising of 5 shots taken during the chase scene from Vultures episode 5; The Adventure Of The Hidden Microfilm.
I’m very happy with this for a first attempt and I have a lot of ideas I’d like to try out based on this style. I’d really love to hear feedback on this piece so comments or criticism would be greatly appreciated. You can see more of my shots from behind the scenes on Vultures here on Flickr and you can read more about the shoot here on the Oss237.com Blog.
Meet BrickMan
Matty Gargan as the brick swinging Pinkerton goon in Vultures episode 5; The Adventure Of The Hidden Microfilm.
Taken on Shoot Day 8 of the ten week shoot for Vultures episodes 5,6 & 7, I’ve revisited the original character portrait and reworked it into a two-shot sequence that I’m much happier with. You can see more of my shots from behind the scenes on Vultures here on Flickr and you can read more about the shoot here on the Oss237.com Blog.
Meet EyePatch Man
Alan Dawson as the randomer-punching samurai-sword-swinging eye-patch-wearing Pinkerton goon in Vultures episode 5; The Adventure Of The Hidden Microfilm.
Taken just before a hectic day of filming the chase sequence for episode 5, making the most of a natural beam of sunshine whilst we waited for the rest of the cast to arrive. I’ve added some textures. You can see more of my photos from behind the scenes on Vultures here on Flickr and you can read more about shooting the chase scene here on the Oss237.com Blog.
The Gentlemen Detectives of V.P.I
The gentlemen detectives of Vultures Private Investigations; Niall Tennyson (Séan Hackett), Jim Vultour (John Morton) and Dan McGrain (David Thompson). I’ve revisited the three individual character portraits of the lads, doing a bit more work on the finish and I think they work better together than individually.
You can see more of my shots from behind the scenes on Vultures here on Flickr and you can read more about the shoot here on the Oss237.com Blog.
The Beauty Queen Of Leenane: Ray Dooley’s Swingball Set
Ray Dooley’s parents gave him a swingball set for Christmas in 1979, he only got two oul months play out it before Maureen Folan confiscated it from him and left it to “fade to fecking skitter” on a window sill for ten years.
A conceptual strobist promo shot taken on the Watergate stage, Ray Dooley’s beloved swingball sits on the Beauty Queen script. I’m actually holding my SB800 flash at the back of the auditorium in the Watergate, triggering the flash and camera by remote. You can see all my shots from behind the scenes on ‘The Beauty Queen Of Leenane’ here and you can read all about the production here on the Oss237.com Blog.
The Beauty Queen Of Leenane: Kimberley Biscuits
Ray Dooley thinks Kimberley biscuits is his favourite biscuits out of any biscuits. Them or Jaffa Cakes… or Wagon Wheels!? A conceptual strobist promo shot taken on the Watergate stage before the play opened. SB800 resting on the front row and triggered by remote.
You can see all my shots from behind the scenes on ‘The Beauty Queen Of Leenane’ here and you can read all about the production here on the Oss237.com Blog.
